Tuesday, 12 April 2016

Wonder Woman: Dawn of Justice

I wanted to say a whole seperate thing about Dawn of Justice's Wonder Woman, because she's not in the title of the film, and really the only reason she isn't there is because it's been so long since she's been really clear in the public consciousness.

But when she turns up in the costume and her new theme booms through the cinema you're pretty certain that she needs her own film.

Outside of the comics she's mostly been an ensemble player since her TV series ended in 1979. Then for years it was Super Friends, then all those Justice Leagues that they've had, of which Super Friends is also one. There was the animated Wonder Woman, which despite being both critically and financially successful compared to other animated DC films is still fairly obscure.

But, I could go on about how much I really like all of the animated depictions of Wonder Woman until the cows come how, but I don't have cows anymore, and even when I did, they were steers. And they never really wandered far enough away that we really worried about whether or not they were home. But I could happily, because there's some pretty wild stuff in that rabbit hole.



Like so many other DC characters, Wonder Woman's public image sort of suffered at the hands of previous mainstream depictions. They weren't necessarily bad when it was that they were happening, except for Super Friends, which apart from that one half of every episode for that one season was more or less entirely terrible all of the time, but those other ones, they didn't age well.

Linda Carter was great, but the decades have flown by in their invisible jet, and she just sort of looks silly, but they all do. Less silly than Adam West, but probably about as silly as Christopher Reeves, except in Superman IV: The Quest for Peace where everybody looks incredibly silly.

I am way off mission here.

This new Wonder Woman is the Wonder Woman that I think she is meant to have been. They've gone back to the mythology. Imagine a more serious take on a cross between Highlander, Athena, James Bond, and Xena: Warrior Princess, which now that I'm saying it sounds really silly, but just try and imagine that, but with a really serious face.



That's what's happening. It's fucking weird if you think about it too hard. But that's who she's always been really. I mean tonally, no. No. DC are bad this, I've said so before, but this is good.

I've spoiled shit already. If you go back over what I've just said, I've spoiled stuff, but that isn't really important. What is important is that this new Wonder Woman is an Amazonian super spy, who's come to wreck shop.

That's her thing. It's one of her things. She has lots of things.

The lasso is there, and the braces, but she's also got a sword and shield, which makes sense as a great Amazonian warrior. The invisible jet is gone. I mean, I assume so. I didn't see it. That was terrible. I won't do that again.

Yes, I will.

Wonder Woman really drives home why as a DC Comics fan I really, really enjoyed Dawn of Justice. There are some weaknesses in the film as a film, but I don't rally care, because there were a lot of things in it that I really enjoyed, and of which I want more, and I want more of Gal Gadot's Wonder Woman, which I will get in 2017's Wonder Woman.

We all understand the rush that was put on this movie. We know that it was just going to be the sequel to the last one they made, but with the title fight spin, but they were adamant that they would get their Avengers out of the gate, and I feel like they forced themselves to cover a ton of ground that they perhaps didn't need to, but the Wonder Woman stuff is good. Excited for the future of the franchise good.

Excited that she might spend more time in the foreground of the popular consciousness.


Tuesday, 29 March 2016

Batman vs Superman Review: Geek Free and Spoiler Free







It's awesome.

Wait, from the outset, I must make clear that I'm bringing bias to this table. That's a disclaimer.

I'm coming in prepared to like this movie. I'm died in the wool. DC is my jam, and it's my toast time. But it's also worth mentioning that I went in prepared to like a lot of DC Comics movies that I can't like. Green Lantern and Green Lantern Corps are the only two comic titles that I've read pretty regularly since I finished high school, and The Green Lantern is easily one of the worst superhero movies that they've ever made.

Batman vs Superman is not that. It is a good film, and a lot of people are saying that it isn't, but it really is. I have my theories on why people don't like ti, but that's them. They can speak for themselves. I'm more than happy for people to say stupid things for themselves, and be as wrong as they feel like being. They're the ones without jam on toast in this scenario, while I fatten up at the breakfast table.

There is an elegant dance at play here, because it feels like there are two films playing at the same time. It feels like there is a very distant sequel to The Dark Knight Rises and another very direct sequel to Man of Steel interwoven into one film, which is sort of a strange thing to say, because neither of those films are particularly good. Well, they aren't good.

I don't like either of those films. Not for a lot of the very public reasons that people make funny comments about. They're just tedious as films. The Dark Knight Rises is ridiculously slow and painfully off message from the source material, and Man of Steel just says what it wants to say clumsily and then spends most of the latter half of the film forgetting that it had anything to say.

I'm just expressing that that is where it's at tonally. This film is a good DC Comics film. It feels like it is on the right path. When you watch it you are watching a film about threat, and war, and fear.

It's not funny. It doesn't need to be funny. It's not a Marvel film, and I don't think it should be. DC has characters like that, that you'll see later. This isn't those guys. But those guys are coming.

This is a Batman and a Superman who've seen some things, and more importantly, they've done some things. Things that have warped them. Changed their perspective.

The Batman that is in this movie, and the Batman that is being played by Ben Affleck is good. Like, really, really good. Like, maybe the best. Maybe. Depending on how you like your Batmen, this might be the best one that they've ever had. I really like this Batman. This Batman is a veteran of the war he has waged. He is a paranoid, violent, shattered man, who somehow constantly finds it in himself to keep going, and it's taken a toll.

I'm telling you right now I want to see Batfleck play this Batman in solo Batman movies. I would watch a prequel. An earlier version of this Batman where we see him get get broken. I would watch that. I would also watch sequels. I just want more of this Batman.

This is 1930s' Batman and 1980s' Batman. That's who this guy is. He is The Dark Knight. He pushes Christian Bale down the scale towards Adam West. He is the night.

And you know what? He is an even better Bruce Wayne.



You still recognise him though, and they do a very good job of making you understand the differences, but it's okay because you know who Batman is. We all do.

The Superman on the other hand is the same one that was in Man of Steel, but now he carries the weight of everything that happened there on his shoulders. In a lot of ways, it justifies a lot of what went on in Man of Steel, and it does it in a way that makes sense of all, but it doesn't make up for the clumsiness of the delivery in the that film.

You don't need to have see Man of Steel though. They cover all the salient points pretty well. In the same way that you are well aware of the Batmen, you are also knowing of these Supermen of which I speak. You know that. They assume that, and I'm glad that they do. Then they show the bits from the first film from the perspective of others, because it drives this plot.

And there is a plot, but it is sort of incidental, but it still works. Sort of. But it doesn't matter.

At the end of the day the film is about these titans who find a way to make war, and the films is about how we're getting to the Justice League, and it's doing that. It's getting to DC's Avengers. And I make that comparison only because it's about their hero club, but they role pretty differently.

Oh, and how good is Wonder Woman? I will let you know.


Sunday, 13 March 2016

How I became excited for 'Batman v Superman'



I've made no bones about my preference of comic kingdoms. I'm DC. That's where my happiness lives. I am that guy. That's how I get down, and I like to get down!

I've made this complaint before. I've said it before. I've said that the major DC characters are so deeply woven into the modern consciousness that 'we know what a Superman is and how they get down', and he also likes to get down.

We all like to get down.

We also know what a Batman is. We know these things. DC characters run deep in the modern vernacular. I never have to sit in DC superhero films and explain who characters are to my friends. That doesn't happen.

Okay, sometimes it happens. Not often though. Not like Marvel. Don't get me wrong, Marvel has its A-listers too, but Superman and Batman? No, they don't have those. They don't have Wonder Woman, or The Flash, or Aquaman.

DC's problem when it comes down to it is one of recognition. What they seemingly consistently fail to realise is that their stories are the best part. Like, balls to the wall awesomeness told in sequential art.

Marvel trades in awesome characters. I can't deny that. They're so much fun, and they're characterised deep, and when they're done poorly you can really tell. 

Whereas DC are sewing the tapestries of our modern mythology. There is an ebb and flow in the characters, but their roles in the mythos are known and important. Their stories and their roles within those stories are what's important.

I'm not off topic, it just seems that way.

Doomsday is in the trailer.

Doomsday has a very specific role in the mythology. He killed Superman. He kills Superman. He will kill Superman. He is killing him right now, and he will always be killing him. That's who Doomsday is. 

He is the guy that killed Superman more than he is his own identity. Doomsday is the point of no return for the beginning of The Death and Return of Superman, which leads into so many other things.



Why this is important is that The Death and Return of Superman is perhaps one of the greatest comic story arcs ever written, but it won't be a part of this new film continuity, because it really doesn't look like they're killing Superman in the opening film. Also, The Death and Return of Superman isn't really, really a Justice League story.

I was at a point where I already felt the same way about Batman v Superman: Dawn of Justice as I do about The Dark Knight Rises and that horrible Green Lantern film, which totally undercut the possibility of far superior stories being told as part of their continuity, Knightfall and Emerald Twilight respectively.

I was disappointed.

Until I heard that The Flash does something very specific in the film that is his role in the mythology. There is this thing that The Flash is responsible for. This really important thing that makes him one of the most important characters in the entirety of all of the comics that have ever been published by DC. I'm not even going to go into it here. That isn't going to happen.




Watch the movie.

I think we should all see it.

I'm ridiculously pumped for this thing, and all the things that they make after! Come at me with all of your things!